VPR Classical

Music is one of the ways that we define ourselves.

Beginning around the 19th century, we’re able to think about composers not along lines of genre or form but along lines of nationality. 

VPR

Reuben Jackson returns to VPR Classical to host Where Have We Met Before?, featuring composers whose musical versatility, courage and lyricism embodies American originality.

Broadcast Saturday, July 2nd at 11 a.m. and Monday, July 4th at 9 p.m.

Credit David Finlayson

Every summer in Vermont, musicians come together to find the quiet, space and time to explore the meaning and magic of chamber music. For the next month leading up the Marlboro Music Festival you can hear the Magic of Marlboro Sundays at noon and Monday evenings at 8 on VPR Classical.

Timeline: Viva Verdi

Jun 13, 2016
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A month after Giuseppe Verdi’s death in January of 1901, there was a public procession as his remains were delivered to the “House of Rest” in Milan. Around 300,000 mourners gathered to pay tribute to an opera composer and to hear a rousing version of “Va, pensiero” from Nabucco sung by a choir of 820 voices lead by legendary conductor Arturo Toscanini. Verdi’s music had struck a chord in all of Italy, becoming the soundtrack for a political movement called the Risorgimento.

Scoppettone family

Anna Scoppettone graduates from Montpelier High School this month, and will head to the University of Connecticut Honors College in the fall. Her piece Where Do We Go? premiered in April, and tells the story of a Syrian refugee family.

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Early 19th century Italian opera was dominated by the works of the three “E’s”; Bellini, Donizetti and Rossini. But if there is one composer whose work stands on par with Mozart and Wagner in the operatic repertoire, it’s Giuseppe Verdi.

Sara Baker

Last year, Danielle O'Hallisey found herself amidst a coming-together of unrelated events, the result of which led to the composition of an exciting new work.

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Johannes Brahms was first introduced to the world through the writings of Robert Schumann who praised his gifts so highly that many expected Brahms to be Beethoven’s natural successor. Brahms spent the better part of his career under the shadow of his hero. This pressure wasn’t just external. Brahms was his own worst critic and often wrote his friends about his desire to live up to the music of Beethoven. As a result, Brahms’ “1st Symphony” took over 20 years to complete.

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In September of 1895 the Meningen Music Festival in Germany dedicated over two weeks of performances to the music of three composers, Bach, Beethoven and Brahms. Brahms was 62 years old at the time; so could you possibly imagine a greater honor for a living composer? It’s completely fitting that the music of Johannes Brahms would be included in that line of prestigious and influential German composers. His music walked the line between tradition and the Romantic ideals of the 19th century.

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19th century Germany was not a hospitable environment for female composers. Nevertheless, Clara Weick-Schumann left an indelible mark with her compositions, her soulful musicianship, her inspired instruction and her influence on many major composers of her generation.

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Robert Schumann is one of the central figures of the Romantic Era. Not only did he make important contributions to the piano, art song and orchestral repertoire, he was also a celebrated musical journalist whose prose and poetry influenced the music of a generation.

Music-COMP

Glover Community School 8th grader Asom Hayman-Jones is featured in May’s Student Composer Showcase.

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The music of Richard Wagner marked a growing “crisis” in Romantic harmony marked by the so called, "Tristan Chord". This is the opening harmony of the prelude to Wagner’s 1859 opera Tristan and Isolde. Never before has one group of four notes rocked the musical world so completely.

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It only takes a few notes to recognize the main theme of John William's score to the film “Star Wars." The Star Wars franchise has become a cultural touchstone all around the world. The original 1977 film is a marriage of a universal mythological tale, told with fantastic artistry.

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Even mentioning the name Wagner spawns a dramatic response. He’s one of those figures that’s either loved or hated. It’s been said that more ink has been spilt on the works and life of Richard Wagner than almost another composer. His operas and his essays, his philosophy and his spirit, stand as pillars of German Romanticism.

April means many things: the beginning of the Major League Baseball season, National Poetry Month, Jazz Appreciation Month, and the first full month of Spring. This weekend, Reuben Jackson returns to VPR Classical for a program of works celebrating poetry, rebirth, jazz, and wonder.

Timeline: Franz Liszt

Apr 11, 2016
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When I say the words “rock star," what comes to your mind? Perhaps you picture guitars, stadiums and teeming mobs of adoring fans flocking to their favorite band or musician. In many ways, composer and pianist Franz Liszt was Europe’s first “rock star." 

His fans, mostly women, would rush the stage at his performances desperate to grab a bit of his clothes or a lock of his long hair. One writer actually called the phenomenon, “Lisztomania."

Sam Beste is an 8th grader at Edmund’s Middle School in Burlington, and April's Student Composer Showcase on VPR Classical.

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The modern piano is a masterpiece of acoustic design and engineering; 88 keys with the ability to play all of the notes a musician could possibly reach simultaneously, and a sound that can fill a concert hall by itself. Inside, the metal frame is holding 18 tons of tension as the strings are struck over and over again by large hammers. Each key triggers a complex mechanism allowing the performer to easily control the volume of the note simply by touch. We see and hear the piano so often that we’ve forgotten just how unique an instrument this keyboard has become.

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In the Romantic Era, composers were no longer employees of the aristocracy; they composed for the people. This freedom was doubled-edged. Although it allowed the artistic genius of Berlioz, Liszt and Wagner to flourish, it also spawned a generation of composers who happily wrote crowd pleasing, disposable works for commercial success. Composers like Frederic Chopin rejected this “popularization” of music altogether by retreating from public performance and refusing to compromise his emerging artistic style. Ironically, Chopin’s music became (and has remained) extremely popular.

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